Bezura is a font designed with an emphasis on minimal nodes. All bezier curves in this font have reference points on 90° or 45°. All corners have a smooth curve to them. It would probably work great when used in vinyl-cutting applications on signage....
Bezura was designed by Adam B. Ford and published by Adam B. Ford. Bezura contains 6 styles and family package options.
Bylum is put together with a bulbous line segment that makes up the bulk of the font. The verticals bulge out in the middle, the curves vary in width along their lengths. This gives the font a relaxed sway to it even while its verticals are upright and...
Bylum was designed by Adam B. Ford and published by Adam B. Ford. Bylum contains 2 styles and family package options.
Hulpy is a relaxed font that won’t judge you. It was created with a combination of stocky rounded verticals and tapering curves. It could probably be used in comic strips or fun and happy headlines, but it also has enough regularity to be used in unpretentious...
Hulpy was designed by Adam B. Ford and published by Adam B. Ford. Hulpy contains 1 style.
Designed to be a square font that isn’t square, Pleroid takes its cues from the shape of a square when “bulged” outward like a balloon. The caps are all rounded, the verticals are straight, and it has the feel of an old cathode-ray tube monitor—just...
Pleroid was designed by Adam B. Ford and published by Adam B. Ford. Pleroid contains 1 style.
Rudge is an intentionally rough sans-serif font. It was designed to share the look and feel of many “antique” fonts, although it lacks the standard serif look of those fonts. The corners are slightly rounded, the edges are wobbly, and the kerning...
Rudge was designed by Adam B. Ford and published by Adam B. Ford. Rudge contains 6 styles and family package options.